Paper guide
For archival pigment prints from Heading North. Choose the surface that fits the image and viewing environment.
Quick choice
- Smooth matte (no shine): soft tones, neutral white, versatile.
- Textured matte (subtle tooth): tactile surface, hides glare, painterly feel.
- Semi-gloss baryta (photo finish): deeper blacks, higher micro-detail.
Smooth cotton rag (matte)
Look: smooth surface, low glare, gentle transitions.
Best for: portraits, subtle colour, low-glare rooms.
Primary stock: Canson Rag Photographique 310 gsm.
Alternate: Ilford Smooth Cotton Rag 310 gsm.
Label on product: (smooth matte, no shine).
Textured cotton rag (matte)
Look: visible texture, printmaker character; diffuses reflections.
Best for: landscapes, natural subjects, painterly images.
Primary stock: Canson Arches Velin Museum Rag 315 gsm.
Alternate: Ilford Textured Cotton Rag 310 gsm.
Label on product: (textured matte, subtle tooth).
Platine fibre rag (baryta, semi-gloss)
Look: light sheen, deep blacks, crisp detail; classic darkroom feel.
Best for: high-contrast colour and B&W where you want bite.
Primary stock: Canson Platine Fibre Rag 310 gsm.
Alternate: a comparable baryta will be confirmed if Canson is unavailable.
Label on product: (semi-gloss, photo finish).
Which should I choose?
- Maximum detail and depth: Platine fibre rag.
- Soft tones and low glare: Smooth cotton rag.
- Tactile surface and character: Textured cotton rag.
Supply note
Canson is the default. If a paper is out of stock, the listed Ilford equivalent may be used with matched surface, weight, and archival grade. Soft-proofing is done to the exact printer profile for the chosen stock.